{"id":10213,"date":"2026-06-03T22:10:43","date_gmt":"2026-06-03T19:10:43","guid":{"rendered":"https:\/\/imgist.ru\/kompaniya-a24-prodaet-zheltye-oboi-s-simvolikoj-filma-zakulise-na-fone-ego-oglushitelnogo-uspeha\/"},"modified":"2026-08-29T12:04:30","modified_gmt":"2026-08-29T09:04:30","slug":"a24-is-selling-yellow-wallpaper-featuring-behind-the-scenes-images-of-the-film-amid-its-resounding-success","status":"publish","type":"post","link":"https:\/\/imgist.ru\/en\/kompaniya-a24-prodaet-zheltye-oboi-s-simvolikoj-filma-zakulise-na-fone-ego-oglushitelnogo-uspeha\/","title":{"rendered":"A24 is selling yellow wallpaper featuring the logo of the film &quot;Behind the Scenes&quot; amid its resounding success."},"content":{"rendered":"<p>One of the hallmarks of Kane Parsons&#039; acclaimed horror thriller &quot;\u00ab <em>Behind the scenes<\/em> \u00bb&quot; are the yellow wallpapers that adorn the film&#039;s eerie borderlands, so A24 decided to make them available to fans.<\/p>\n<p> Parsons&#039; video blogs dominated headlines this week.\u2019 <em>Backrooms<\/em> and his YouTube colleague, director Curry Barker, <em>called Obsession<\/em> , mainly because these YouTube filmmakers have dealt a devastating double blow to Disney <em>Star Wars: The Mandalorian and Grogu<\/em> last weekend.<\/p>\n<p> FORBES | Tim Lammers: Behind the Scenes 2: Kane Parsons Shares Exciting News About Future Films and Returning to YouTube.<\/p>\n<p> <em>Movie<\/em> \u00abBehind the Scenes grossed $81.4 million in North America in its opening weekend, <em>\u00ab&quot;Obsession&quot;\u00bb<\/em> , earned another $27.5 million in its third weekend of release, increasing its domestic total to $105.7 million. Meanwhile, <em>\u00ab&quot;The Mandalorian&quot; and &quot;Grogu&quot;\u00bb<\/em> fell 69% from its opening weekend in the US, totaling just $24.4 million.<\/p>\n<p> But here&#039;s where the numbers really matter: <em>film &quot;Behind the Scenes&quot;\u00ab<\/em> \u2014 with a budget of only 10 million dollars and <em>\u00abObsession\u00bb<\/em> \u2014 with a paltry $750,000 \u2014 in one fell swoop knocked the $165 million film The Mandalorian and Baby Yoda from first place at the U.S. box office during its opening weekend of May 22-24 to third place in its second weekend.<\/p>\n<p> Certainly, <em>in &quot;The Mandalorian&quot; and &quot;Grogu&quot;\u00ab<\/em> , being a spin-off <em>\u00abStar Wars\u00bb<\/em> , there&#039;s a powerful marketing push, including action figures\u2014an idea that came to space opera creator George Lucas nearly 50 years ago and forever changed the film marketing landscape.<\/p>\n<p> FORBES | Tim Lammers | &quot;Behind the Scenes: Streaming. Why Big Movie Box Office Sales Will Likely Change A24&#039;s PVOD Strategy.&quot;.<\/p>\n<p> But as A24 has clearly understood, within your film\u2014both in the interim and more broadly\u2014there are many ways to keep audiences&#039; memories of the film alive long after the credits roll.<\/p>\n<h2> In the &quot;behind the scenes&quot; circles the yellow din is not calm.<\/h2>\n<p> \u0412 <em>episode &quot;Behind the Scenes&quot;\u00ab<\/em> Affordable furniture store owner Clark (Chiwetel Ejiofor), struggling financially, discovers a portal in the basement of his showroom leading to an alternate dimension (called &quot;Backstage&quot; in the online version of the story). Beyond the portal lies a labyrinth of rooms, all with yellow wallpaper, that seem to stretch on forever.<\/p>\n<p> Some rooms are empty, while others contain ordinary objects arranged in bizarre patterns. They are also inhabited by malevolent entities that don&#039;t take kindly to strangers wandering their liminal spaces. When Clark finds himself trapped in Backstage, his therapist, Mary (Renate Reinswe), enters these sinister, surreal spaces in search of him.<\/p>\n<p> FORBES | Tim Lammers: The streaming release date for Whiplash has been scrapped in favor of a longer window between theatrical release and on-demand (PVOD).<\/p>\n<p> To capitalize on the hype <em>around &quot;Backstage&quot;<\/em> \u00bb&quot;A24 is selling panel replicas of the creepy yellow wallpaper seen in the film for $60 each. Each panel is 48 inches high by 30 inches wide and is self-adhesive. For die-hard fans looking to cover an entire wall, A24&#039;s ordering page includes a calculator to help you figure out how many panels you&#039;ll need to create the complete look.&quot;\u00ab <em>Behind the Scenes\u00bb<\/em> . <\/p>\n<p> Captain Clark&#039;s Ottoman Empire T-shirt.<\/p>\n<p> A24 Store<\/p>\n<p> For fans <em>\u00ab&quot;Behind the scenes<\/em> \u00bbFor those looking to purchase a miniature replica of the yellow wallpaper, A24 is also offering a pre-order of an 11 x 17-inch sticker for $25. For those who prefer to wear their memories, a Captain Clark&#039;s Ottoman Empire T-shirt is available for pre-order on the A24 website for $40. The store&#039;s logo is featured on the front, while the back features the logo of the film&#039;s creepy pirate mascot, the store address, and a list of all participating items.<\/p>\n<p> Goods <em>from the Backrooms series<\/em> \u2014 isn&#039;t the only thing offered on the A24 retail website based on the independent film studio&#039;s films. Other merchandise available on the site includes orange ping-pong balls. <em>Marty Supreme<\/em> , a box of Wheaties cereal featuring the film&#039;s star, Timoth\u00e9e Chalamet, and a Christmas tree topper <em>Pearl<\/em> , created based on the trilogy of films &quot;People <em>X&quot;\u00bb<\/em> Ti West and Mia Goth.<\/p>\n<p> <em>The film &quot;Behind the Scenes&quot;\u00ab<\/em> is showing in cinemas across the country.<\/p>\n<p> FORBES | Tim Lammers. &quot;Whiplash&quot; star Inde Navarrete revealed where we&#039;ll see Nikki next.<\/p>\n<p> <em>This article was originally published on Forbes.com.<\/em><\/p>","protected":false},"excerpt":{"rendered":"<p>One of the hallmarks of Kane Parsons&#039; acclaimed horror thriller, &quot;Backstage,&quot; is the yellow wallpaper that adorns the film&#039;s eerie borderlands, so A24 decided to make it...<\/p>","protected":false},"author":1,"featured_media":10214,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-10213","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kinoindustriya","hvn-theme-has-thumbnail"],"_links":{"self":[{"href":"https:\/\/imgist.ru\/en\/wp-json\/wp\/v2\/posts\/10213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imgist.ru\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imgist.ru\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imgist.ru\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/imgist.ru\/en\/wp-json\/wp\/v2\/comments?post=10213"}],"version-history":[{"count":1,"href":"https:\/\/imgist.ru\/en\/wp-json\/wp\/v2\/posts\/10213\/revisions"}],"predecessor-version":[{"id":154016,"href":"https:\/\/imgist.ru\/en\/wp-json\/wp\/v2\/posts\/10213\/revisions\/154016"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imgist.ru\/en\/wp-json\/wp\/v2\/media\/10214"}],"wp:attachment":[{"href":"https:\/\/imgist.ru\/en\/wp-json\/wp\/v2\/media?parent=10213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imgist.ru\/en\/wp-json\/wp\/v2\/categories?post=10213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imgist.ru\/en\/wp-json\/wp\/v2\/tags?post=10213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}