{"id":15445,"date":"2026-06-06T06:10:29","date_gmt":"2026-06-06T03:10:29","guid":{"rendered":"https:\/\/imgist.ru\/reczenziya-na-knigu-sleduyushhaya-zhizn-romanu-emilii-klark-razdvizhnye-dveri-ne-hvataet-eshhe-odnogo-alternativnogo-sushhestvovaniya\/"},"modified":"2026-06-06T06:10:29","modified_gmt":"2026-06-06T03:10:29","slug":"emiliya-klarkning-sirpanuvchi-eshiklar-romanining-keyingi-hayot-kitobiga-berilgan-sharhda-yana-bitta-muqobil-jumla-yoq","status":"publish","type":"post","link":"https:\/\/imgist.ru\/uz\/reczenziya-na-knigu-sleduyushhaya-zhizn-romanu-emilii-klark-razdvizhnye-dveri-ne-hvataet-eshhe-odnogo-alternativnogo-sushhestvovaniya\/","title":{"rendered":"Kitob sharhi: &quot;Keyingi hayot&quot;: Emiliya Klarkning &quot;Sirpanuvchi eshiklar&quot; kitobi boshqa muqobil mavjudlikka muhtoj."},"content":{"rendered":"<p>Agar sizda ikkita hayot kechirish imkoniyati bo&#039;lsa-yu, lekin ikkalasi ham unchalik qiziqarli bo&#039;lmasa-chi? Dreyk Doremusning muqobil reallik romani, hatto uning oxiri kutilmagan bo&#039;lsa ham, aynan shu savolni beradi.<\/p>\n<p> Aslida, haqiqiy muammo shundaki, u boshidanoq Ayvining (&quot;Taxtlar o&#039;yini&quot; serialidagi Emiliya Klark) qaysi haqiqatni tanlashini xohlashi aniq. 1-eshik ortida Noa (Jek Farting, Poldark), nafaqat sovuq korporativ minorada uning xo&#039;jayini, balki uni aldagan va endi uni qaytarib olishni xohlayotganini anglagan muvaffaqiyatsiz Xyu Grant turibdi. 2-eshik ortida esa? Uni Ayvini o&#039;zining musiqiy orzularini amalga oshirishga undaydigan jo&#039;shqin qo&#039;shiqchi Diego (Edgar Ramirez) kutmoqda.<\/p>\n<p> Film ssenariysini yozgan va rejissyorlik qilgan Doremus ushbu vaqt jadvallari o&#039;rtasida almashadi: birida Ayvi va Noa odatiy korporativ biznesni yo&#039;lga qo&#039;yishadi, Londondagi zamonaviy kvartiralarida mazali kechki ovqatlar tayyorlashadi va oila qurish uchun tinimsiz mehnat qilishadi. Ikkinchisida Ayvi va Diego uning badiiy loftida dam olishadi, go&#039;zal farzandlari bilan muloqot qilishadi va iloji boricha tez-tez birga qo&#039;shiq aytishadi.<\/p>\n<p> Tanlov aniq, shunday emasmi?<\/p>\n<p> Xo&#039;sh, shunday bo&#039;lishi kerak edi, lekin aktyorlar xabarni tushunishmadi. Ikki karra Emmy mukofotiga nomzod bo&#039;lgan (&quot;Karlos&quot; va &quot;American Crime Story&quot; filmlari uchun) Ramirez, shubhasiz, bu sodda hikoyani ishonchli tarzda tasvirlash uchun yetarlicha iste&#039;dodli. Lekin bu yerda u biroz ikkilanib, cheklangan va ayol kimni tanlashi kerakligi haqida kerakli rivoyatni yaratish uchun juda begona ko&#039;rinadi.<\/p>\n<p> Farting esa kutilmaganda yoqimli. Dastlab biz Noadan nafratlanishga majbur bo&#039;ldik, lekin u Ayviga unga to&#039;liq sodiqligini va uning orzularini qo&#039;llab-quvvatlashini aytganda, u chin dildan buni chin dildan qilayotgandek tuyuladi. U yovuz va zaxira rejaga o&#039;xshaydi, lekin Farting har qanday romantik qahramonga kerak bo&#039;lgan aloqani yaratish uchun ko&#039;proq harakat qiladi.<\/p>\n<p> Bu, albatta, bizni ushbu qahramonga olib keladi. Klark ikkala holatda ham g&#039;alaba qozonadi, ammo natija asosan bir xil. Va bu qiziqarli dilemmani keltirib chiqaradi.<\/p>\n<p> Doremus sahnani shunchalik qattiq qo&#039;yadiki, u bizni bir eshikdan ikkinchisiga itarib yuboradi. Operator Marianne Bakke va bastakor Den Romer ham xuddi shunday yo&#039;l tutishadi va bu Ayvi va Diegoning romantik munosabatlariga qo&#039;shimcha iliqlik qo&#039;shadi.<\/p>\n<p> Biroq, ba&#039;zida ishlar biz kutgandek bo&#039;lmaydi. Va barcha urinishlariga qaramay, ehtimol, shirin, maftunkor va hali ham topmagan narsasini izlayotgan Ayvi aslida boshqacha hayot kechirayotgan bo&#039;lishi mumkin: 3-eshikni qidirayotgan bo&#039;lishi mumkin.<\/p>\n<p> &quot;&#039;Keyingi hayot&#039; sharhi: Emilia Clarke&#039;ning toymasin eshikli romani boshqa muqobil mavjudlikka muhtoj&quot; maqolasi birinchi marta TheWrap\u2019da paydo bo\u00abldi.<\/p>","protected":false},"excerpt":{"rendered":"<p>Agar sizda ikkita hayot kechirish imkoniyati bo&#039;lsa-yu, lekin ikkalasi ham unchalik qiziqarli bo&#039;lmasa-chi? Romanda aynan shu savol berilgan...<\/p>","protected":false},"author":1,"featured_media":15446,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-15445","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kinoindustriya","hvn-theme-has-thumbnail"],"_links":{"self":[{"href":"https:\/\/imgist.ru\/uz\/wp-json\/wp\/v2\/posts\/15445","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imgist.ru\/uz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imgist.ru\/uz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imgist.ru\/uz\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/imgist.ru\/uz\/wp-json\/wp\/v2\/comments?post=15445"}],"version-history":[{"count":0,"href":"https:\/\/imgist.ru\/uz\/wp-json\/wp\/v2\/posts\/15445\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imgist.ru\/uz\/wp-json\/wp\/v2\/media\/15446"}],"wp:attachment":[{"href":"https:\/\/imgist.ru\/uz\/wp-json\/wp\/v2\/media?parent=15445"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imgist.ru\/uz\/wp-json\/wp\/v2\/categories?post=15445"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imgist.ru\/uz\/wp-json\/wp\/v2\/tags?post=15445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}