{"id":17670,"date":"2026-06-10T15:12:01","date_gmt":"2026-06-10T12:12:01","guid":{"rendered":"http:\/\/imgist.ru\/bharatiradzha-pioner-tamilskogo-selskogo-kino-umer-v-vozraste-84-let\/"},"modified":"2026-06-10T15:12:01","modified_gmt":"2026-06-10T12:12:01","slug":"tamil-qishloq-kinosining-kashshofi-bharatiraja-84-yoshida-vafot-etdi","status":"publish","type":"post","link":"https:\/\/imgist.ru\/uz\/bharatiradzha-pioner-tamilskogo-selskogo-kino-umer-v-vozraste-84-let\/","title":{"rendered":"Tamil qishloq kinosining kashshofi Bharathiraja 84 yoshida vafot etdi"},"content":{"rendered":"<p>Qishloq dramalari Tamil kinosining qiyofasini qariyb besh o&#039;n yillik davomida o&#039;zgartirib kelgan hind kinorejissyori Bharatiraja chorshanba kuni Chennayda yoshga bog&#039;liq kasallikdan vafot etdi. U 84 yoshida.<\/p>\n<p> Chinnasamy Periyamaya Theva 1941-yil 17-iyulda hozirgi Tamil Nadu shtatining Teni tumanidagi Allinagaramda tug&#039;ilgan. Bharathiraja asosan Hindiston tamil kino sanoatida rejissyor, prodyuser, ssenariynavis va aktyor sifatida ishlagan. U o&#039;zining badiiy filmidagi debyutini 1977-yilda Kamal Xasan, Sridevi va Rajinikanth ishtirok etgan qishloq romantik dramasi &quot;16 Vayathinile&quot; bilan boshlagan. Film studiya an&#039;analarini buzdi \u2014 bu asosan joylarda suratga olingan qishloq hayoti haqidagi birinchi tamil filmlaridan biri edi \u2014 va tomoshabinlar uni yaxshi ko&#039;rishdi va uning uzoq vaqt davomida teatrlarda namoyish etilishini ta&#039;minladilar.<\/p>\n<p> <strong>Variety\u2019dan ko\u2018proq<\/strong><\/p>\n<ul>\n<li>\n<p> Rajinikanthning &#039;Kochadaiiyaan&#039; AI Remaster, &#039;Tanu Weds Manu&#039; davomi, 15 qismdan iborat Eros innovatsiyasi, 355 million dollarlik Buyuk Britaniya loyihasi (EKSKLUZIV)<\/p>\n<\/li>\n<li>\n<p> Nagarjuna Akkineni qirq yillik yulduzlik faoliyati, uni shakllantirgan filmlar va uning 100-filmi haqidagi tafsilotlar haqida (EKSKLYUZIV)<\/p>\n<\/li>\n<li>\n<p> Rajinikanth va Kamal Hasan Red Giant Movies filmida yana birlashadilar.<\/p>\n<\/li>\n<\/ul>\n<p> Filmning tijorat va tanqidiy muvaffaqiyati Tamil kinosida qishloq hayotiga asoslangan hikoyalarga kengroq o&#039;tishni boshlab berdi va Bharathiraja 1970-yillarning oxiri va 1980-yillarda bir qator e&#039;tirofga sazovor bo&#039;lgan filmlar bilan bu tendentsiyani yanada rivojlantirdi. U boshidanoq keng ko&#039;lamli rollarni namoyish etdi, qishloq romantikasidan psixologik triller &quot;Sigappu Rojakkal&quot; va rasmiy ravishda jasur &quot;Nizhalgal&quot;ga o&#039;tdi, keyin esa &quot;Alaigal Oyvathillai&quot;, &quot;Mann Vasanai&quot; va &quot;Muthal Mariyathai&quot; filmlarida o&#039;zining o&#039;ziga xos uslubiga qaytdi. Uning aktyor tanlash falsafasi ham an&#039;anani buzdi: u og&#039;ir bo&#039;yanishsiz aktyorlarni tanladi va tashqi ko&#039;rinishi o&#039;sha paytdagi asosiy tamil filmlarida keng tarqalgan oq tanli idealga keskin zid bo&#039;lgan aktrisalarni tanladi.<\/p>\n<p> U aktyorlik karyerasini boshlashga intiluvchi aktyorlarga yordam bergani bilan mashhur edi. Aktyor Kartik o&#039;zining ekrandagi debyutini &quot;Alaigal Oivathillai&quot; filmida amalga oshirdi va Radha, Revathy, Radhika va Vijayashanti uning rahbarligida ilk bor muvaffaqiyatga erishgan boshqa ijrochilar qatorida edi.<\/p>\n<p> Uning ishi qirq yil davomida milliy e&#039;tirofga sazovor bo&#039;ldi. U &quot;Seethakoka Chilaka&quot; (1982) filmi uchun Telugu tilidagi eng yaxshi badiiy film uchun Milliy kino mukofotiga; &quot;Muthal Mariyathai&quot; (1986) filmi uchun Tamil tilidagi eng yaxshi badiiy film; &quot;Vedham Pudhitu&quot; (1988) filmi uchun boshqa ijtimoiy masalalarga bag&#039;ishlangan eng yaxshi film; &quot;Karutthamma&quot; (1995) filmi uchun oilaviy farovonlik haqidagi eng yaxshi film; &quot;Antimantharai&quot; (1996) filmi uchun Tamil tilidagi eng yaxshi badiiy film; va &quot;Kadal Pookkal&quot; (2001) filmi uchun eng yaxshi ssenariy \u2014 jami oltita milliy mukofotga sazovor bo&#039;lgan. Shuningdek, u to&#039;rtta Filmfare Awards South, oltita Tamil Nadu shtati kino mukofotlari va Nandi mukofotiga sazovor bo&#039;lgan. 2004-yilda Hindiston hukumati unga Padma Shri mukofotini berdi.<\/p>\n<p> Bharathiraja rejissyorlik mahoratining cho&#039;qqisi bo&#039;lgan nufuzli Iyakkunar Imayam mukofotiga sazovor bo&#039;ldi. Uning keyingi asarlari doimiy tijorat instinktini namoyish etdi; Kizhakku Chimayile 1990-yillarda, shuningdek, mukofotga sazovor bo&#039;lgan Karuthamma kabi tomoshabinlarning yangi avlodini jalb qildi. Ikkala film ham qishloq dramalaridir.<\/p>\n<p> Uning ortidan rafiqasi Chandralila va qizi Janani qoldi. Uning o&#039;g&#039;li, aktyor va rejissyor Manoj Bharatiraja 2025-yil mart oyida vafot etdi.<\/p>\n<p> <strong>Turlarning eng yaxshisi<\/strong><\/p>\n<ul>\n<li>\n<p> Toni mukofotlarining yakuniy bashoratlari: Broadwayning eng muhim kechasida kim g&#039;alaba qozonadi va kim g&#039;alaba qozonishi kerak?<\/p>\n<\/li>\n<li>\n<p> 2026-yil iyun oyida Disney+ da nimalar bo&#039;ladi?<\/p>\n<\/li>\n<li>\n<p> 2026-yil iyun oyida Netflixda nimalar bo&#039;ladi?<\/p>\n<\/li>\n<\/ul>\n<p> Variety axborot byulleteniga obuna bo&#039;ling. Eng so&#039;nggi yangiliklar uchun bizni Facebook, Twitter va Instagramda kuzatib boring.<\/p>","protected":false},"excerpt":{"rendered":"<p>Qishloq dramalari Tamil kinosining qiyofasini qariyb besh o&#039;n yillik davomida o&#039;zgartirgan hind kinorejissyori Bharatiraja chorshanba kuni Chennayda yoshga bog&#039;liq kasallikdan vafot etdi. U\u2026<\/p>","protected":false},"author":1,"featured_media":17671,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-17670","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kinoindustriya","hvn-theme-has-thumbnail"],"_links":{"self":[{"href":"https:\/\/imgist.ru\/uz\/wp-json\/wp\/v2\/posts\/17670","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/imgist.ru\/uz\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/imgist.ru\/uz\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/imgist.ru\/uz\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/imgist.ru\/uz\/wp-json\/wp\/v2\/comments?post=17670"}],"version-history":[{"count":0,"href":"https:\/\/imgist.ru\/uz\/wp-json\/wp\/v2\/posts\/17670\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/imgist.ru\/uz\/wp-json\/wp\/v2\/media\/17671"}],"wp:attachment":[{"href":"https:\/\/imgist.ru\/uz\/wp-json\/wp\/v2\/media?parent=17670"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/imgist.ru\/uz\/wp-json\/wp\/v2\/categories?post=17670"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/imgist.ru\/uz\/wp-json\/wp\/v2\/tags?post=17670"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}